A cast of five recreate the key plot points from A Midsummer Night’s Dream in 60 minutes – what could possibly go wrong? Oh, did I mention, one of the cast members is drunk? Yeah – that’s what could possibly go wrong.
After hearing great things about this show for years, I finally got the chance to see it live – and it was worth the wait! So much so, as soon as the show finished I booked myself in for a second visit.
With the character list reduced to the two couples – Helena and Demetrius, Hermia and Lysander – and Puck, we had time aplenty to see what damage drunk Hermia (and latterly – drunk Lysander) could do to proceedings. It seems plenty!
Whilst I know the overall plotline, I’m not overly familiar with the in-depth dialogue of A Midsummer Night’s Dream, but as it turns out, this isn’t a problem! The show’s plot is clearly signposted by Puck, and by keeping to the core characters, it keeps the storyline here very simple and easy to follow, unlike the slurred speech of our dear Hermia, who, at times, seemed to forget she was even onstage.
A more cynical audience member might suggest this was simply acting, but if it was, it was acting of the highest order, as the other cast members struggled to restrain their giggles at times, and the erractic delivery of Shakespearean speech came across genuinely as someone who knew the text but was struggling to recall large segments due to the fogginess of an alcohol-riddled brain. It’s more likely the combination of being given free reign to improvise around the play, breaking the fourth wall, and the addition of alcohol to help loosen things up – but all the time it’s clear that these talented performers know the script inside out and are capable of still delivering key plot moments, and for the sober ones able to bend with such flexibility around the new portrayals of their drunken counterparts.
I enjoyed the performances by all the players across the two nights, but special mention has to go to our two drunks on their respective ‘drunk’ nights – Beth-Louise Priestly as Hermia and Saul Marron as Lysander. Despite the core cast being rotated, these two played the same roles on both occasions that I saw them perform, so it was fascinating to see the difference in their scenes – and to see the once-slightly-smug Saul having the tables turned when Beth-Louise was no longer the drunk one. All in good humour, of course, and it simply reiterates the point that this company are a tight-knit bunch with strong improvisation skills.
John Mitton was the third performer to play the same part both nights – as Demetrius. I think I’d really enjoy seeing him play the part drunk too, as he had a great energy about him. Interestingly he also played the part differently when dealing with his two drunken colleagues. Undoubtedly this would be related to the types of scenes they shared – as Demetrius’ scenes with Hermia were of a distinctly flirtacious nature, and his encounters with Lysander more aggressive, but still John’s interactions with both as they strayed from the scripted dialogue was different, a more soft and gentle guiding of Hermia, and a more playful encouraging of banana-throwing with Lysander (at one point the duel is reduced to one man with a sword and another with an inflatable crocodile, so this gives you an idea as to the barriers to serious Shakespearean acting he faced).
It might not be everyone’s cup of tea – often improvised performances can be divisive among audiences – but for those who enjoy seeing formats being played around with, and exploring different ways of portraying theatre in a fun way, this show is a great one to have a look at. It doesn’t take itself seriously, but the folks behind it are seriously good.
Sh!t-faced Shakespeare presenting Midsummer Night’s Dream is running at the Leicester Square Theatre until mid-June, before the team head over to the Udderbelly for a few dates in June and July performing The Merchant of Venice.
Edit 05.06.2016 – there is an extended run of Midsummer Night’s Dream at the Leicester Square Theatre, now running on selected dates up until 27th August – this will run in rep with their Udderbelly dates.